About

Abigail Phang Gung Fook

Is of mixed heritage, her parents migrating here from the West Indies during the 1960s. She was born and educated in London and initially trained as a textile designer, subsequently pursuing a masters degree in Fine Art from City and Guilds Art School in 2017.

The subject matter Abigail chooses is autobiographical, describing a raft of emotions and the multiplicity of her family life. Her inspiration comes from the intimacy shared with her subjects. Within observations of the people she is closest to, her family. 

Abigail has suppressed her anger and emotions for decades, and it is the narrative of love and loss that underpins Abigail’s practice. Loss is not only described as romantic loss but the loss of her childhood, loss of choices and loss of control over her life decisions. 

Her work is very personal and delves into her feelings and emotions, representing the way she feels about the major influential figures in her life. 

The influence of textiles, pattern and flowers is prevalent in Abigail’s paintings. It is an inspiration on her work in not only what she looks at, but also how she physically produces a painting. She uses her training and memories as a textile designer to express the consequential moments in her life. She uses pattern and floral representation as an instrument to aid in the construction of an evocative character and story encapsulating her individuality and sentiment.

The outfit Abigail wears becomes a costume revealing her sensibilities and sensitivity to her stories, helping to communicate the narrative background and situation. The brilliant vivid colours in her work act as a mask for her to hide her emotions. The dripping paint adds to the sense of immediacy, disorder, chaos and sadness.

Daisies are fragility, they are unspoilt. Daisies represent her loyalty, love and commitment. Abigail absorbs their energy allowing daisies to rejuvenate; supporting her emotions and wellbeing. Daisies provide a moment to remember her innocence.